For those that care, I am planning on interviewing Bear again as he's got several projects in the works.
Click here to see my interview with Bear McCreary, Battlestar Galactica composer.
Since we're all on this Glee/Lady Gaga/Sing Off kick, Bay Area folks will especially appreciate this video of the UC Berkeley men's a cappella group Noteworthy singing Lady Gaga's "Poker Face" with absolutely fabulous entertaining choreography. As of 11:50 PM on December 17, 2009 the video has received 1,072,697 views.
The song features Brian Wang sashaying and singing lead on the verses and Joey Goodknight singing the crap out of the chorus. The performance is from the 9th Annual West Coast A Cappella Showcase on November 13, 2009.
These men deserve some major kudos for dancing with such gusto and channeling their inner divas! GO FOR IT BOYS!
These are photos my friend's Sharon and Jeffrey (who I met waiting in line for RENT) took from about ten feet away from the Bill Graham Civic Auditorium stage in San Francisco. I have to give them props for waiting in line for so long to get such a great spot. While you can sure find better professional quality photos, there's something fun in knowing that a regular person with a regular camera can get such a great view.
At the Gaga concert the night before I was hanging out over on the side, not able to see a whole lot. At least the Civic Auditorium has giant digital screen for us short people.
Enjoy! And thanks for letting me post your photos Sharon and Jeffrey!
Glen introduced a new song, inviting the audience to sing along. Upon a quick rehearsal of our part, he heard one voice that he dubbed "Aretha" and promptly invited it's owner, Moji to join him onstage. Here is the magical result!
"I'm Telling You I'm Not Going" has, since the film version of Dreamgirls become the song for divas. American Idol contestants have sung it, Bianca Ryan has sung it, even the Filipina Divas have sung it (and quite well I might add). If you’ve got a big voice, and you want to show it off, you sing this song. You CAN’T sing this song badly, if you do, everyone will notice.
Last night we had the pleasure of hearing Amber Riley sing "And I'm Telling You" on Glee. Gawd, I love her ("Bust Your Windows"? Yeah!). But before Riley and J-Hud, there was Jennifer Holliday. She is the Godmother of them all. Holliday played Effie in the Tony winning production of Dreamgirls in the early 80s.
When Holliday performs this song, it's more like watching an emotional purging. I've never seen a performance like it before, especially the one below at the Tony Awards. You can see and hear the anguish emanating from her. I really enjoy Hudson and Riley's performances of the song, but both are lacking in the way that Holliday makes you feel her pain. Both Hudson and Riley can sing, no doubt about it, but Holliday really embodies the song when she does it.
Let me also just say, if I've done the math correctly, Holliday was the YOUNGEST of the three when she performed the song: she was 21 or 22. Hudson and Riley were a couple years older.
So, without further ado, I give you Jennifer Holliday at the 1982 Tony Awards. Please skip to 3:30 unless you want to see the scene that leads up to the song. She won a Tony for this performance.
-Normal duds, normal environment. No spandex, no fog machine.
- Gear. Lots of it.
- Subdivision of the video frame: overlapping tracks visualized as overlapping views.
- Performance! This isn’t just a hidden camera in the studio. It’s natural, it’s unpretentious—but it’s still a performance.
[Pomplamoose's VideoSong] is showing us a complicated, virtuoso performance, but making it really clear and accessible at the same time. It’s entertaining, but it’s also an exercise in demystification—which of course is exactly the opposite objective of every music video, ever. Their purpose has been to mystify, to masquerade, to mythologize in real-time.This demystification is one of the most powerful tools that Pomplamoose and other video bloggers use. Music lovers crave something "real" which is why if they think your music is good AND they like you as a real person, you've got a way in.
But I'm not going to talk about the dancing; I'm a music writer! I will say, however that it was moving performance, especially when Jakob and Ellenore walked forehead-to-forehead across the stage at the beginning. The habanera rhythm used in the song - like the aria with the same title from the 19th century opera Carmen by Georges Bizet - really lends itself to modern dance. I love it when traditional pieces of musical composition fit right into modern pop culture. Ellenore and Jakob used the Cuban rhythm to undulate across the floor. The pauses in the song also add to the drama of the performance, which Sonya Tayeh's choreography brilliantly mirrored.click here to enjoy a video of the performance.