Showing posts with label American Music history. Show all posts
Showing posts with label American Music history. Show all posts

Tuesday, June 11, 2013

Gospel CD mixes

The cover of my Gospel Music double disc mix with artist help from Elisabeth Rene
Back in December of 2010, I spent some time in the eco-village of Lynchdoche near Capetown, South Africa. I volunteered there, hanging out with the kids, pretending I knew something about gardening, and having a blast spending time in a country I had always wanted to visit.

I was in love with the music, fascinated by the history and curious to know the state of a country that was only 16 years (at the time) out of Apartheid.

One of the amazing things I got to do was visit Joya Homes, an "unofficial" orphanage, about an hour away. This orphanage is not supported by the government financially. Instead they have become a Section 21 Non-Profit Organisation, accepting donations.

Lydia Tom had a few kids of her own, but she started to take in other kids that needed help. When I was there, I believe there were about 18 children living with her. They relied on what others gave them. Some of these children where found in trash cans, some of them on doorsteps. Some of them are HIV positive. They were well behaved and sweet as can be.

I gave one of the teenaged boys my shoes and entertained the idea (just for a second) of taking one of the babies home with me, until reason set in. When I got back to California later and celebrated my 31st birthday I asked my friends to donate money that we could send to them. I hope they were able to buy something they needed and/or enjoyed.

In one of the last Joya Home newsletters, there was a request for money to buy Gospel Music CDs and DVDs. I sent an email asking if I could make them some CD mixes of American and South African Gospel music. They answer was yes, so I did. I had a blast making these.

The cover of my Mahalia Jackson CD mix
Because I wrote my Masters Report about American gospel music, I have collected quite a bit from the 60s and 70s, Mahaliah, Sam Cooke, the Dixieland Hummingbirds and more. And of course because I love to collage, I made some covers that I am REALLY proud of, and got to hang with my amazing friend Elisabeth Rene who provided help with lettering and decoration.

I hope the kids like them. Selected song lists found below. As usual, let me know if you'd like me to make you a copy.

The cover for the Soweto Gospel Choir's 2005 Voices from Heaven

Make a Joyful Sound – A Gospel Mix CD 1
1. Come and Go To That Land - Sam Cooke with the Soul Stirrers
2. Amazing Grace - Blind Boys of Alabama
3. Touch Me, Lord Jesus - Angelic Gospel Singers
4. Let's Talk About Jesus - Bells of Joy
5. When the Saints Go Marchin' - In Blind Willie Davis
6. Let Me Lean On You - Brooklyn All-Stars
7. I Won't Be Back - Caravans 
8. Bedside of a Neighbor - Dixie Hummingbirds
9. Swing Down, Chariot Golden - Gate Quartet
10. He's Got the Whole World in His Hands - Mavis Staples
11. Nothing Can Change Me (Since I've Found the Lord) - Pilgrim Travelers
12. Highway to Heaven - Professor Alex Bradford
13. Peace In the Valley - R.H. Harris
14. God Is a Battle Axe - Sallie Martin Singers
15. Rock Me - Sister Rosetta Tharpe
16. Feel Like My Time Ain't Long - Soul Stirrers w/ R.H. Harris
17. Dry Bones - Stars of Faith 
18. Working On a Building - Swan Silvertones
19. This Heart of Mine - Two Gospel Keys
20. Lift Him Up, That's All - Washington Phillips
21. Blind Barnabus - The Golden Gate Quartet
22. Down By The Riverside - Sister Rosetta Tharpe 
23. Oh Happy Day - Edwin Hawkins 
24. We Shall Overcome - SNCC Freedom Singers w/ Pete Seeger

Make a Joyful Sound – A Gospel Mix CD 2
1. Last Mile of the Way - Sam Cooke with the Soul Stirrers
2. Sit Down Servant - The Staple Singers
3. I'm Sealed - Dorothy Love Coates & The Original Gospel Harmonettes
4. What a Friend We Have in Jesus - Aretha Franklin
5. He's Worthy
6. Every Day Will Be Sunday (By And By) - Dorothy Love Coates                                                            and The Original Gospel Harmonettes
7. Swing Down, Sweet Chariot - Spirit of Memphis
8. Wade in the Water - The Staple Singers
9. Steal Away - The Harmonizing Four
10. Let's Go To the Programs - Dixie Hummingbirds
11. Will the Circle Be Unbroken - The Staple Singers
12. I'm Willing - Albertina Walker/Caravans/I. Andrews
13. Move Upstairs - Bessie Griffin & W.H. Brewster
14. Hallelujah - Farifield Four
15. Go Tell It on the Mountain - Montreal Jubilation Gospel Choir
16. Christ Is All - The Soul Stirrers
17. You'd Better Get A Move On - Louise McCord
18. Shadrack - Pure Gospel Chorus 19. By and By (part 1) - The Soul Stirrers & R.H. Harris
20. God's Unchanging Hand - Church in Como, Mississippi
21. Samson and Delilah - The Staple Singers
22. Do Your Thing - Marion Gaines Singers

Thursday, June 28, 2012

‘The Scottsboro Boys’: a disturbingly entertaining depiction of race in American history

Mr. Bones (Jared Joseph, center) with Willie Roberson (Shavey Brown, left) and Haywood Patterson (Clifton Duncan).
Photo credit: Photo by Henry DiRocco.
There aren’t many ways that A.C.T.’s production of 'The Scottsboro Boys' (now extended until July 22) could make anymore of an impact. I applaud the creators of this show in that it makes you feel very strongly. Calling it provocative is an understatement.

A story about nine African-American teenaged boys who are wrongly accused of raping two young white women in 1931, every single element of 'Scottsboro' is carefully manipulated to make you reflect on your sense of what is right, what is wrong, what is comfortable, what is entertaining and what makes you squirm in your seat.

In the same way Roberto Benigni’s 'Life is Beautiful' layers the Holocaust in singing and dancing, 'Scottsboro' lays lynching, the electric chair, sending innocent children to prison and black-faced minstrelsy over tap dancing, lush vocal harmonies and humor.


Tuesday, March 27, 2012

Gospel Brunch in Austin, Texas - my Masters Report

The Shields of Faith perform at Gospel Brunch - Stubbs in Austin, Texas

In 2006, I wrote a 100 page book in partial fulfillment of my Master's Degree in Ethnomusicology (the anthropology of music) about Gospel Brunch in Austin, Texas. It's called "If Church was like this, I'd go Every Sunday". For the last five years, it's been sitting in the University of Texas at Austin's library on a CD (they didn't even make me print it).

About a month ago, I was finally inspired to actually print the thing out. I made two copies: one for me and one for the Austin Public Library. On my visit to Austin, I saw the record, it's officially in the system!

I've also posted it for download if you were so inclined.

My Masters report on official record at the Austin Public Library

Why Gospel Brunch? Every House of Blues across the country has an brunch buffet and gospel show every Sunday morning. And other than a couple other venues (like the Cotton Club in New York) the House of Blues is about it... except in Austin, where there are three every weekend.

Maria's Taco Express Hippie Gospel Church in South Austin

The research for this paper was really fun, every Sunday morning I would head down to one of three spots: Stubb's , Threadgill's (the South Austin location) or Maria's Taco Xpress (the old location). This little Jewish girl would settle into some good food, booze (sometimes) and music about Jesus.

The three venues couldn't be more different. As you can see from the photos, Maria's is full of wonderful dancing hippies and the bands are mostly non-religious bands singing Bob Dylan tunes, traditionals and spiritually themed original songs. Stubb's is more likely to hire Evangelical bands coming from the Salvation Army. Threadgill's was somewhere in the middle. It was fun to compare and contrast the venues.

The Shields of Faith perform at Gospel Brunch at Stubb's

One chapter is about the City of Austin, and why it has grown to be a cultural and liberal oasis in one of the most conservative states in the country. I even got to mention Janis Joplin's brief stint in Austin before she headed to San Francisco.

I wrote a chapter on the history of African American scared music outside of the church. One of the more interesting examples I discussed was how Northern abolitionists used African American spirituals for humanitarian purposes pre-civil war. From the Tuskegee University Choir to Ray Charles changing gospel tunes into secular ones, there is a pattern of African American sacred music being used outside sacred spaces for various purposes. Pairing the music with a brunch buffet on a Sunday morning is no exception.

LZ Love performs at Maria's Taco Xpress

One of the wonderful things about being an ethnomusicologist is talking to people. Through hours of interviews I found out why Austinites would come to these venues on Sunday mornings to listen to religious and sacred music, instead of being at church.

The youngest member of the Shields of Faith

I was curious as to why Evangelical musicians would leave the church and perform in secular venues for beer drinking heathens (my words!) and why non-Christains like myself are so drawn to this music.

One of the more interesting moments of my research was when an 80-year-old reverend told me in an indirect way, that as a non-believer, I was going to hell. But, and I really do say this in most sincere way, he meant it in the nicest way possible (as someone who I saw being genuinely concerned for my soul). It was at that point that the hour long interview ended and we went to a fish fry. It was a relief.

Rose, my favorite Hippie Church dancer at Maria's Taco Xpress.

Just last Sunday, I headed down to Threadgill's for Gospel Brunch. I'm glad to see Gospel Brunch at all three venues is still going strong, and six years later, many of the same bands are still in rotation. The food is good and the music is great. What else could you want on a Sunday morning?

Anyway, if you are at all interested in check out my report, you can download the pdf here, or get a hard copy from the Austin Public Library.

Sunday, December 11, 2011

The best $5 I've spent lately - a tour of the Paramount Theater in Oakland

I know, I gush about the Paramount Theater in Oakland. It's definitely my favorite theater. Not just because it's gorgeous, but ask because I've been to the biggest variety of shows there, from $5 classic movies (like the Wizard of Oz this coming December 30th for $3 - plus fees), India.Arie, The Oakland Interfaith Gospel Chorus, The Oakland Symphony, etc.)

I love this theater and every time I'm there I marvel at Art Deco style. Last weekend my parents and I took two hour tour FOR 5 BUCKS and were able to see details of the theater I've never noticed.

There were no people blocking the furniture, we could see both the men and the women's bathrooms and, the knowledgeable guide pointed out things I had just never noticed before.

Detail in the main Lobby

The main lobby, symbolizing a waterfall, river and Redwood trees.

Detail on the glass doors leading out to the street

One of the amazing couches that was saved from another local Art Deco theater

Detail in the women's sitting room

Detail of the Lobby

And of course the stunning ceiling. That sheet metal is thick enough to walk on.

Saturday, July 3, 2010

Art and thievery: a rant - Puccini and Webber

This evening I took my dad to see the last night of Puccini's opera The Girl of the Golden West . It is a love story that takes place in California gold mine country and it’s full of cheese, redemption and tragic love, you know, like most operas.

During the climactic aria "Quello che tacete" in the second act, I spotted what sounded like a short passage of “Music of the Night” from Andrew Lloyd Webber’s Phantom of the Opera (“Turn your face away from the garish light of day” for those who care). I noticed that other people in the audience acknowledged it too. The motive came back later as well, and more people got it that time. Sure enough, our evening’s program threw in a little tidbit about this very melody:

“Was Puccini Robbed?” it asks. The story goes on to inform the reader that following Phantom of the Opera’s success in 1986, the Puccini estate filed suit against Webber accusing him of plagiarism and the suit was settled out of court.

Alright, this is a little too much for me. There is a time and place for lawsuits, this is not one of them.


I've written about this before with Beyonce's choreography in the video for "Single Ladies."

Sunday, June 27, 2010

'Cadillac Records': a review

I am a huge fan of biopics. It's very exciting to see the lives of real people illuminated in front of you. Knowing too much about the historical reality of their lives can get in the way however. Hollywood, as we all know, likes to "Hollywoodize" biopics: twisting and tweeking the details of lives to make them more interesting to the viewer.

I figure, you have to get over that. But sometimes it's hard.

Take the movie Cadillac Records: a biopic about the legendary rhythm & blues record label Chess Records. The movie stars Adrian Brody as Leonard Chess, Beyonce as Etta James, Cedric the Entertainer as Big Willie Dixon and Mos Def as Chuck Berry. I enjoyed seeing these notorious musicians come to life, but it was really hard for me to get past some of the added Hollywood aspect.

I cannot help but compare this movie to Dream Girls, but the big difference is that Dream Girls was an intact musical before it was ever a movie. And, even though everyone knows that the movie is based on the record label Motown, it's highly fictionalized.

In the film Etta James and Leonard Chess have an adulterous relationship that challenges racial stereotypes and employer/employee boundaries. As far as I know this is a fabrication, and it bothers me. I wonder what Etta herself had to say about it? I DO know that Etta was pissed that Beyonce got to sing "At Last" at Barack Obama's inauguration and not her...

I was also bothered by the character of Leonard Chess and the ABSENCE of his brother, Phil. It was the Chess Brothers that started and ran the label, it wasn't a one-man operation. But alas, Leonard was the more colorful character. He was a crude-mouthed, smart-ass and the role only brought that out in a very minor way.

Rich Cohen's The Record Men is a fabulous recount of the Chess story. Leonard Chess is quoted all over the book and his words are something right out of a Mel Brooks comedy routine.

"How to you celebrate a hit? You go to the bank, schmuck!"


"Who knew you could strike it rich with a few schvartzas and a reel-to-reel?

I imagine the producers consciously toned down... scratch that... DELETED the ugly money-grubbing Jewish Stereotype that was Leonard Chess. I guess as a Jewish person I appreciate that, but I still miss the personality.

What I did love about the film was much of what I simply love about the story in general:
  • Muddy Waters and Howlin Wolf's frenemies relationship
  • Etta James' dramatic and traumatic life (her autobiography Rage to Survive stresses the fact that she owes Leonard Chess for keeping her alive and keeping her house)
  • Howlin Wolf's devotion to his band (he always made sure they got paid fairly)
  • Leonard Chess' devotion to his musicians (he took care of many of them, heightening his "White Daddy" status)
  • Muddy Water's womanizing
  • How the Rolling Stones loved and respected Muddy Waters like a god.

Chess Records has a fascinating story, and while I don't agree with some of the "Hollywood" type additions, I do feel that the essence of the label is treated fairly and with great respect in the movie Cadillac Records.

Tuesday, January 19, 2010

Googling myself at 2:45 in the morning

So it's storming outside and I can't sleep. What am I doing? I'm googling myself. Well first I was googling this blog to see if it was mentioned anywhere that I didn't know of, and then I decided to search myself. And what did I find? Well other than this Jamie Freedman who's an M.D. I found that I'm on

Yup. Check it out.

I know the first two entries are indeed me because I was an intern for Smithsonian Folkways the non-profit record label of the U.S. National Museum in Washington D.C. from 2003-2004 between undergrad and grad school. During that time I worked with the archivists of the label. It was pretty awesome. I got to hang with all these old LPs and cassettes. I worked on a couple of commercial archival releases including Classic Folk Music and Classic Maritime Music as a Production Assistant. The folk complication included tunes by Doc Watson, Peggy Seeger, Paul Robeson and even the song "Gallis Pole" by Fred Gerlach which Led Zeppelin later covered. The Maritime compilation has a pre-Beach Boys "Sloop John B" and "All for Me Grog," which was my favorite.

How could I ever forget "All for Me Grog"?

And it's all for me grog, me jolly, jolly grog
All for me beer and tobacco
Well I spent all me tin on the lassies drinking gin
Across the western ocean I must wander
And here are two versions of "Gallis Pole"/"Gallows Pole."

Performed by Led Belly:

Led Zeppelin:

My part in the production of these compilations was basically making a big mix tape, which in retrospect is, well, the most perfect job ever. The main archivist gave me a list of songs that he was considering putting on the CD, and I had to scour the archive for all of the different versions of that song that it had. So I pulled recordings off of CDs, LPs, cassettes and actual reel-to-reel. There was a big switchboard thing involved and I remember getting frustrated with all those chords.

Interning for the label was pretty fun even though the interns were sort of treated like nobodies. I had all sorts of random projects to do. One other intern was archiving all these Woody Guthrie lyric sheets and sketches. That's where Billy Bragg and Wilco got the lyrics for their album Mermaid Avenue. Did you know Guthrie sketched erotic images? Yeah, he did. I've seen 'em. He was kind of party animal.

Alright, that's it. I'm going back to bed. Don't be bashful, googling yourself can be fun, you'll never know what you'll find. Have you done it? What have you found?

Thursday, January 14, 2010

Celebrating the life and legacy of Dr. Martin Luther King, always with good music

Every year we Americans have a three day weekend, perfectly timed three weeks into a new year that is probably already beating us up. This is a day to celebrate Dr. Martin Luther King, a man who gave his life for freedoms many of us enjoy now in the 21st Century.

Do not be mistaken: this day is also a reminder of how far we still have to go. It doesn't matter your color or creed, we are still all affected by those who have freedoms and those who do not.

If you are in the mood to celebrate this day, there are dozens of events going on around the Bay Area. Most of them will include music, lots of music. Gospel, jazz, R&B, rock and roll. Anything having to do with MLK usually gets me emotional, gospel music does as well. So I'd better get ready for some waterworks.


If you are not in the Bay Area, just do a google search for Martin Luther King and your area and you'll find something. Or check this website.

THE WHITE HOUSE IS CALLING THIS MLK DAY, A DAY OF SERVICE. CLICK HERE FOR IDEAS ON HOW TO GET INVOLVED (there are events listed here associated with helping Haiti)

Mahalia Jackson "We Shall Overcome" - This song was a staple of the civil rights movement, Mahalia worked closely with Dr. Martin Luther King

Tuesday, July 7, 2009

Photos from the History of Women in Rock Girls Rock Camp workshop

Always More to Hear has made it to the big screen!

I thought this would be very meta... pictures of the blog on the blog. For those of you who teach using youtube videos, this is a great way to get everything in the same place. Putting everything on a blog was very helpful. This way, campers can go back to the entry, watch the whole video and learn more if they want to.

One of the Girls Rock staff members borrowed a digital projector from a friend, so all we needed was internet and a computer. We also got the audio patched through the PA so the music was nice and loud.  Big Mama's Hound Dog sounded really good.

For the most part the campers seemed to like the workshop, it gave them some down time to basically sit and watch tv.  Who wouldn't like that? I hope I get to lead this workshop next year, it's really fun.

Jennie introduces the workshop

Martha and the Vandellas "Dancing in the Street"

Sleater-Kinney and Riot Grrrl

Dolly Parton and her "Coat of Many Colors"

Bessie Smith: the first music video star? - Girls Rock Camp, celebrating women in music

In honor of Girls Rock Camp this week occurring in Oakland this week, I am celebrating women in music, past, present and future.

Today I want to celebrate Bessie Smith, definitely one of the greatest influences on women (and men!) in music today, and possibly the first music video star as well.

But first, let me tell you what's happening at the second day of Girls Rock Camp: the 70 campers or so will learn more of the basics of their chosen instruments, whether it be the bass, turntables, drums, guitar, keys or vocals. The girls will also continue to pick band names and write a song that they will perform for a live audience this Saturday at 2pm at the Oakland Metro Opera House.

After lunch they will learn how to make a zine and participate in a history of women in rock workshop, taught by yours truly. Bessie Smith is the first woman we will talk about and the video we're going to show the campers is part two of St. Louis Blues made in 1929. We want to showcase her powerful voice.

It got me thinking about what this video actually is. I have this way of using youtube just for the audio, but the sometimes the video is just as interesting (or bizarre or hysterical) as the audio itself.

Part I

Part 2

History of Women in Rock for the Bay Area Girls Rock Camp

Welcome to Jennie and Jamie's "History of Women in Rock" workshop for The Bay Area Girls Rock Camp! We will be leading this workshop for the first and second session of camp this year, but this information will be around for you to see when camp is over.

Feel free to watch these videos and click on the links (colored and/or underlined) to learn more about the women that inspire you.

There are so many amazing women who have brought us so much music we couldn't include everyone, but please click on the bottom of this post where it says "comments" and tell us what you think.

Bessie Smith - "St. Louis Blues" (1929) Classic Blues

Big Mama Thornton - "Hound Dog" (1965)
 Rhythm & Blues

Wanda Jackson - "Heart Headed Woman" (1950s) The Queen of Rockabilliy 

Martha and the Vandellas - "Dancing in the Street" (1964) Motown

Tina Turner - "Fool in Love" and "Work Out Fine" Medley (1965) Rhythm & Blues and Rock 

Dolly Parton - "Coat of Many Colors" (1971) Country

Joan Jett - "I Love Rock n Rock" (1983) Rock   - start 1 minute in

Tina Waymouth - Talking Heads "Burning Down the House" & "Life During War Time" (1984) Rock

(Start at 2 minutes)

Sleater Kinney - "You're No Rock n' Roll Fun" Rock (2000)

Queen Latifah - "Ladies First" Listen in the playlist over to the right

Other women by instrument - click on the link to learn more and maybe watch a video

Guitar players

Piano players 

Bass players
Carol Kaye - Studio musician
Kim Gordon of Sonic Youth - "100%"  
D'arcy Wretzky of the Smashing Pumpkins - "Cherub Rock"

Maureen "Moe" Tucker of the Velvet Underground - "Fired Up"
Janet Weiss of Sleater Kinney
Gina Schock of the Go Go's "We got the Beat"

Saturday, May 30, 2009

Happy 100th birthday Benny Goodman: musical innovator and revolutionary

100 years ago today, Benjamin David Goodman was born in Chicago, Illinois, to Jewish Russian immigrant parents with already eight other children. Goodman would later become one of the most transformative musicians and social revolutionaries of jazz history.

He was not only a talented virtuosic clarinetist but also challenged the status quo of civil rights for African Americans by being the first prominent entertainers to lead an integrated band. He hired Teddy Wilson to play in his trio, and later enlisted vibraphonist Lionel Hampton for his quartet. Goodman also brought the popular jazz idiom to a new cultural level by being the first band leader of his genre to play in a "high culture" venue of Carnegie Hall 1938.

Goodman continued performing jazz and classical music until he died at age 77 on June 13, 1986. That same year, he was honored with a Grammy Award for Lifetime Achievement.

Saturday, May 23, 2009

The Glenn Miller and Tommy Dorsey Orchestras duke it out in a battle of the bands

Musical competition is something that has existed since humans started making music. And if you like traditional big band music from the 1930s and 40s, it doesn't get much better than this. The Glenn Miller Orchestra and the Tommy Dorsey Orchestra will return to San Francisco this Sunday night to square off in a battle of the bands at Davies Hall.

Swing and Big Band Examiner Rick Busciglio says that "in the glory days of the Big Bands, many ballrooms promoted a Battle of the Bands. Harlem's Savoy Ballroom, in particular, offered...Basie vs. Chick Webb with Ella Fitzgerald....or Benny Goodman vs. Duke Ellington, etc. They used a revolving stage to present the two bands. Well, the practice continues!" This will be a friendly competition, I'd imagine the "winner" will be determined by each individual listener.

The big difference between the 1930s and 40s and now is that the audience won't have a dance floor to reflect how the music is affecting them. The focus will be on the extraordinary musicianship coming from the stage rather than on lindy hoppers on the dance floor. This kind of big band swing music has, in the last century, morphed from "dance music" into "concert music," which is why we sit and listen in a concert hall like Davies Hall.

The Glenn Miller Orchestra's "In the Mood"

The Tommy Dorsey Orcehstra's "Oh, Look at me Now" with Frank Sinatra, Connie Haines, & The Pied Pipers

Saturday, November 8, 2008

New Yorkers trying to save historic Tin Pan Alley

Tin Pan Alley, the half-dozen or so 19th century brownstones in Manhattan's Chelsea District, is up for sale and marked for demolition.  And a group of concerned New Yorkers are trying to save them and get them recognized as a national landmark, which would keep the buildings from getting destroyed.

In the late 19th and early 20th centuries a number of sheet music publishers, composers and lyricists setup shop on West 28th Street between 5th and 6th Avenue.  Among the American songwriters to work in these buildings were Irving Berlin, Scott Joplin, Fats Waller, Hoagy Carmichael, Ira and George Gershwin, James P. Johnson, Jerome Kern and Cole Porter.  Many got their start here writing songs in a factory-like environment, not too different from how songs are written for Nashville or contemporary pop music.

Before the rise of radio and audio recordings, the music industry revolved around the sales of sheet music.  "Song pluggers" (often the songwriters themselves) would go to commercial locations and play these songs enticing consumers to buy them.  

If you think we have schlocky pop music now, you should hear some of this stuff... can you imagine Britney Spears singing something like Ernest Ball and J. Keirn Brennen's "Good-bye, Good Luck, God Bless You"?
It's hard to part when heart to heart 
We've lived and loved and dreamed.
It came to naught, although I've thought
That you were all you seemed.

Good bye, good luck
God Bless you, is all that I can say.
But when you leave, my heart will grieve
Forever and a day.
Although, "Womanizer" is *hardly* better.  

But, of course, there were some diamonds in the rough that we still know and love today (or not), like:

"God Bless American
"After the Ball"
"Take Me Out to the Ball Game"
"Give My Regards to Broadway"
"Alexander's Ragtime Band"
"A Hot Time in the Town Tonight"

I'm pretty confident that these buildings will be saved.  But we'll see how this situation shapes up.

See the AP article here.