Wainwright’s vocal timbre is a specific taste. You either like it or you don’t. He is one of the few vocalists that can pull off nasaled, and I was curious to see if it would work in a concert setting. It would be interesting to hear a classically trained vocalist attempt to perform these pieces as there were moments of strained higher notes. In popular music, this can commonplace and even artistic, but on the Davies Hall stage, it seemed a little strange. I'm still on the fence if I personally liked it or not.