Thursday, February 18, 2010
The "Seattle Times" wrote: "Listening to the King's Singers is just about as much fun as you can have in public with your clothes on!"
The King's Singers are SO English. And what I mean by that is that they are classy and silly all at the same time. And the silliness is so subtle with a look or a small movement. Some of these guys are so dignified as classical singers, but all they need to do is look at the audience and wink, or raise their eyebrows and send everyone into hysterics. Tenor, Paul Phoenix, is the most fun to watch as his whole body moves and bounces as he sings (see, look at him third from the left in the photo above). Dressed in dark velvet blue sports coats and light pink ties, even their wardrobe reflects this attitude.
The first half of the concert was full of classic madrigals including my fav by Monteverdi (see yesterday's post). They also performed a commission that was written by Bay Area composer Gabriela Lena Frank called "Tres Mitos de Mi Tierra, or Three Myths of My Land" which was full of insanely impressive and difficult rhythmic devices that made my jaw drop. When the piece was over Frank, who was sitting in the audience, hugged each and everyone of them. You could tell she was absolutely delighted and adored them personally.
In the second half, the King's Singers lightened up the vibe with Randy Newman's "Short People" (yes, we're looking at you David Hurley - so cute!), Billy Joel's "Lullabye (Goodnight My Angel)" (listen below), and a Harry Connick Jr. tune.
I even spotted Jace Wattig from Chanticleer and chatted with him for a little bit during intermission. My friend and his friend bonded over their experience singing collegiate a cappella at Brown University. As always, it was a fabulous time.
I thought since my last week has been musically full of Billy Joel and the King's Singers that the signs are telling me to bring the two together and share this video with you: The King's Singers perform Billy Joel's "Lullabye (Goodnight My Angel)" arrangement by Phillip Lawson.
Wednesday, February 17, 2010
When I was in high school, I was not into Green Day, I was not into the Backstreet Boys, I was a fangirl for The King’s Singers. I was choir nerd. Maybe not so nerdy like Rachel in Glee, but I loved professional and amateur singing groups like Chanticleer and a cappella college choirs.
The King’s Singers have been the preeminent ensemble in the world for a cappella. Tomorrow night I get to see them live for the oh, maybe seventh time? I'm not kidding. I know for awhile there I was seeing them every time they came through Los Angeles in high school. I've also seen them in Ann Arbor, Michigan and in Washington, D.C. I've waited to meet them after shows and asked them sign books and CDs for me. I've also gotten to watch them teach master classes with community and high school groups.
Like I said, I'm a fan.
Wednesday night San Francisco Performances present The King’s Singers at the Herbst Theatre. The program is entitled Myths, featuring the premiere of a piece by Bay Area composer Gabriela Lena Frank [read an interview with her here], as well as works by Bennet, Schültz, Weelkes, Saint-Saëns and one of my favorite madrigals by Monteverdi called “Si Ch’io Vorrei Morire” [Watch it below]
(Yes, I wish to die!)
Hora ch’io bacio amore la bella bocca del mio amato core
(Now I lovingly kiss the beautiful lips of my heart’s desire)
Ahi car’ e dolce lingua datemi tant’ humore che di dolcezz’ in questo sen m’estingua
(Ah, dear and sweet tongue, give me such passion that your sweet breast might quench my desire)
Ahi vita mia, a questo bianco seno deh stringetemi fin ch’io venga meno
(Ah, my life! Press your ivory breast against me that my desire might be satisfied)
Ahi bocca, ahi bacci, ahi lingua, ahi lingua torn’a dire
(Ah, lips, ah, kisses, ah, tongue, give me your passion)
Si ch’io vorrei morire
(Yes, I wish to die!)
READ THE REST OF MY ARTICLE HERE