I am a huge fan of biopics. It's very exciting to see the lives of real people illuminated in front of you. Knowing too much about the historical reality of their lives can get in the way however. Hollywood, as we all know, likes to "Hollywoodize" biopics: twisting and tweeking the details of lives to make them more interesting to the viewer.

I figure, you have to get over that. But sometimes it's hard.

Take the movie Cadillac Records: a biopic about the legendary rhythm & blues record label Chess Records. The movie stars Adrian Brody as Leonard Chess, Beyonce as Etta James, Cedric the Entertainer as Big Willie Dixon and Mos Def as Chuck Berry. I enjoyed seeing these notorious musicians come to life, but it was really hard for me to get past some of the added Hollywood aspect.

I cannot help but compare this movie to Dream Girls, but the big difference is that Dream Girls was an intact musical before it was ever a movie. And, even though everyone knows that the movie is based on the record label Motown, it's highly fictionalized.

In the film Etta James and Leonard Chess have an adulterous relationship that challenges racial stereotypes and employer/employee boundaries. As far as I know this is a fabrication, and it bothers me. I wonder what Etta herself had to say about it? I DO know that Etta was pissed that Beyonce got to sing "At Last" at Barack Obama's inauguration and not her...

I was also bothered by the character of Leonard Chess and the ABSENCE of his brother, Phil. It was the Chess Brothers that started and ran the label, it wasn't a one-man operation. But alas, Leonard was the more colorful character. He was a crude-mouthed, smart-ass and the role only brought that out in a very minor way.


Rich Cohen's The Record Men is a fabulous recount of the Chess story. Leonard Chess is quoted all over the book and his words are something right out of a Mel Brooks comedy routine.

"How to you celebrate a hit? You go to the bank, schmuck!"

or

"Who knew you could strike it rich with a few schvartzas and a reel-to-reel?

I imagine the producers consciously toned down... scratch that... DELETED the ugly money-grubbing Jewish Stereotype that was Leonard Chess. I guess as a Jewish person I appreciate that, but I still miss the personality.

What I did love about the film was much of what I simply love about the story in general:

• Muddy Waters and Howlin Wolf's frenemies relationship
• Etta James' dramatic and traumatic life (her autobiography Rage to Survive stresses the fact that she owes Leonard Chess for keeping her alive and keeping her house)
• Howlin Wolf's devotion to his band (he always made sure they got paid fairly)
• Leonard Chess' devotion to his musicians (he took care of many of them, heightening his "White Daddy" status)
• Muddy Water's womanizing
  
• How the Rolling Stones loved and respected Muddy Waters like a god.
  

Chess Records has a fascinating story, and while I don't agree with some of the "Hollywood" type additions, I do feel that the essence of the label is treated fairly and with great respect in the movie Cadillac Records.